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Margaret Atwood employs three epigraphs at the beginning of The Handmaid's Tale to establish the novel's tone. Based on the epigraphs provided, analyze how each epigraph contributes to an understanding of:
Successful responses will cover:
Key Terms: Anachronistic: Something that seems to belong to a different time period than the one it is portrayed in. Imperative: A command or instruction given in the form of a sentence that starts with a verb. Metaphor: A way of describing something by comparing or calling it something else, creating a vivid image or meaning. Satire: A way of using humor, irony, or exaggeration to criticize or mock societal issues, individuals, or systems. Epigraph #1 “And when Rachel saw that she bare Jacob no children, Rachel envied her sister*; and said unto Jacob, Give me children, or else I die. And Jacob's anger was kindled against Rachel; and he said, Am I in God's stead, who hath withheld from thee the fruit of the womb? And she said, Behold my maid Bilhah, go in unto her; and she shall bear upon my knees, that I may also have children by her.” - Genesis 30:1-3 Epigraph #2 But as to myself, having been wearied out for many years with offering vain, idle, visionary thoughts, and at length utterly despairing of success, I fortunately fell upon this proposal.... -Jonathan Swift, A Modest Proposal Epigraph #3 ‘In the desert there is no sign that says, “Thou shalt not eat stones.”’ - Sufi Proverb Primary Blog Expectations (respond to the prompt above): Minimal errors in grammar and usage, thoughtful and thorough writing. Please use the name you were assigned in class as your nom de plume and be sure to add a word count. Due by 11:59 pm Friday night, 1/30/2026! Victor Frankenstein initially agrees to create a female companion for the Creature, believing it will end the Creature’s suffering and prevent further violence. However, as he works, he becomes haunted by the possible consequences of his actions. In a moment of panic, he destroys the female, declaring, “She, who in all probability was to become a thinking and reasoning animal, might refuse to comply with a compact made before her creation” (Shelley 147). Here, Victor acknowledges that the female Creature would have agency and might reject the Creature as her mate, rendering his efforts futile. He also fears that together they might pose an even greater threat to humanity, perhaps even reproducing and creating a new race of beings beyond his control: “A race of devils would be propagated upon the earth who might make the very existence of the species of man a condition precarious and full of terror” (147).
How do Victor’s justifications for destroying the female Creature reveal his anxieties about power, control, and the natural order? An interesting activity is using a Feminist Critical Lens to critique these two sentences. Why might a female "thinking and reasoning animal [...] refuse to comply"? What is Mary Shelley suggesting when she invokes the idea of this "thinking and reasoning" creature rejecting the agreements made by others and thus producing an entire "race of devils [...] who might make the very existence of the species of man [...] precarious and full of terror"? Why is this "thinking and reasoning" creature refusing to comply to society's expectation of her role as a mate so much more monstrous than the first creature? Do you see a paradox between Victor Frankenstein's worries about this female creature and his ever-compliant love, Elizabeth? Elaborate. Primary Blog Expectations (respond to the prompt above): 200-250 words, minimal errors in grammar and usage, thoughtful and thorough writing. Please use the name you were assigned in class as your nom de plume and be sure to add word count. Due by 11:59pm Sunday night 3-9-2025! These images could depict some of the main plot points of Part II of A Thousand Splendid Suns. While these moments are important, they are by no means the only significant points in these chapters.
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